United Kingdom If the data subject wishes to exercise the rights concerning automated individual decision-making, he or she may, at any time, contact any employee of the Something Curated. MoS is an institution, still respected by much of the dance music cognoscenti but derided in many quarters for having long since become the Bluewater of nightclubs; mostly now populated by coach parties from Essex. Many cookies contain a so-called cookie ID. It was also famous for its Africa nights hosted by Soul II Soul and Love Muscle, one of the major gay club nights in London. $99. Founded by Steve Rubell and Ian Schrager, this cavernous club on 54thStreet in Manhattan created the template of the modern club: the illusion of exclusivity, the glamour of celebrity, and an extremely permissive policy toward well, everything. American filmmaker Dustin Lance Black, 48 . Why not try 6 issues of BBC History Magazine or BBC History Revealed for 9.99 delivered straight to your door + FREE access to HistoryExtra.com. CBGB has become the iconic face of the underground music scene in 1970s New York, but it wasn't the only rock club in the city. In the 70s, the On The Rox bar upstairs was a hangout for the boozy likes of John Lennon, Keith Moon and John Belushi. Whatever your taste in music, whatever kind of party youre looking for, our guide to the best clubs in London has everything you need to find an awesome night out in the capital. This cutting-edge Hackney venue has quite the cinematic history. By the late 80s, The Four Aces was being raided frequently by the police and Dunbar joined forces with Joe Wieczorek to transform the club into Labyrinth, the first legal indoor rave venue. The club was sold in 2011 after the death of owner John Sicolo the previous year. Taking Ecstasy for the first time and experiencing the euphoria of the blissed out Balearic beats at Space nightclub, Oakenfold and his wife Jenni came home and tried to re-create it in a 300 capacity basement gym on Southwark Street. Sell e-gift vouchers to your customers; whether it be a packaged up experience or a monetary value. Last month, club night Jungle Fever returned at Electric Brixton (formerly The Fridge), one of the UKs best-loved and longest running raves. David Bowie, Louis Armstrong, Jimi Hendrix, the Rolling Stones, Sex Pistols and Oasis are some of the major artists who have graced the stage. However, its worth taking a moment to remember that nightclubs, by their very essence, shouldnt outstay their welcome. Underneath the venue was a ballroom, called the LA2 and later the Mean Fiddler, which staged gigs by Pulp, The Cranberries and Nick Cave and the Bad Seeds. Pseudonymisation is the processing of personal data in such a manner that the personal data can no longer be attributed to a specific data subject without the use of additional information, provided that such additional information is kept separately and is subject to technical and organisational measures to ensure that the personal data are not attributed to an identified or identifiable natural person. AQUAJUMP 27. The purpose of this recognition is to make it easier for users to utilize our website. Holloway set up The Trip at the Astoria which attracted more than 3,000 people a night, before opening the Milk Bar in Soho. Christian Hopewell / Alamy Stock Photo, Picture: If you were staggering down the Clerkenwell Road on a Sunday afternoon at around 4pm in the early 90s then you can consider yourself a true nightclub pioneer. The brand name is constantly evolving and the club continues to survive despite numerous threats of closure. The place declined to the point that, by the 1980s, it was a strip club but was bought out and re-styled as a members only A-list speakeasy in 2012, now attracting Noel Gallagher, Mark Ronson, Harry Styles et al. the purposes of the processing; Its a members only club but the present owners are open to granting membership to those who arent necessarily currently gracing the cover of Hello! Each data subject shall have the right granted by the European legislator, to receive the personal data concerning him or her, which was provided to a controller, in a structured, commonly used and machine-readable format. It has become shorthand for the endless party that supposedly defined the whole decade. AsFar Out Magazinerecounts, Max's had a very small stage with tables right up against it. History. Generate an extra revenue stream and open up your venue/event to even more customers. Open till 5am and with no alcohol license, this, more than any other London club, marked the end of the sticky carpets and flock wallpaper design of clubs in the capital and triggered the beginning of nightspots being seen as somewhere to dance rather than a place to get hammered and attempt to grope members of the opposite sex. Susan Carrington and Andrew Czezowski ||Roxy (Covent Garden) and The Fridge (Brixton). Restriction of processing is the marking of stored personal data with the aim of limiting their processing in the future. After a splashy and well-attended launch, attendance fell off immediately, and the club struggled to get enough people inside to make a profit. Central to the Black jazz scene at the time, and closely linked with African. The Instagram Account Getting Up-Close With Hieronymus Bosch. It was an everything-goes nightclub where they literally had a giant mechanical moon lifting a spoon filled with cocaine to its nose as part of the decoration. But if you were part of that tiny privileged crowd then you would have been drinking, dancing and pestering David Bailey to take your portrait in Scotch of St. James. When it opened in 1937 the Gaumont State Theatre was one of the largest cinemas in Europe, with a capacity of 4,000. The Blitz Kids were the gang who unofficially ran the club, with members included Gary and Martin Kemp from Spandau, dance choreographer supremo-to-be Michael Clark and Siobhan Fahey (later of Bananarama). Definitions Londons club life? 4am - 6:30am, Songbird Cheers! To ensure this, we would like to first explain the terminology used. The employee clarifies to the data subject whether the provision of the personal data is required by law or contract or is necessary for the conclusion of the contract, whether there is an obligation to provide the personal data and the consequences of non-provision of the personal data. It was the first club to open in Hackney and one of the first venues to play black music in Britain. The building, which became Grade II listed in 1990, then became an event centre and music venue hosting performances by Morrissey, Pixies and the Jesus and Mary Chain. This Glasgow venue is now cemented in history as the place where Alan McGee first saw Oasis play on 31 May 1993, leading the Creation label boss to sign the Manchester band. It became home to the London Opera Centre, but by the 1980s was being used as a bingo hall. Sometimes it may be necessary to conclude a contract that the data subject provides us with personal data, which must subsequently be processed by us. The club's name stands for Country, Bluegrass, and Blues, which is very early 1970s and also turned out to be wildly inaccurate, because CBGB became known as the epicenter of punk rock and new wave music in the 1970s. Support Time Out directly today and help us champion the people and places which make the city tick. The comments made in the blog of the Something Curated may be subscribed to by third parties. Theres even a listed steel crane and track still located in the main bar area, as well as exposed brickwork and large arched ceilings that all add to its unique industrial feel in the present day. Data subject is any identified or identifiable natural person, whose personal data is processed by the controller responsible for the processing. Rik and his brother Johnny set up an agency in Soho, managing artists such as Fleetwood Mac, John Mayall, and Slade. That's a pretty baller move for a singer, and it was going great until one of the tables tipped over, sending Pop crashing down onto another table covered in glasses. The venue closed in 2009 and currently remains derelict and the state of its future is unknown. The candelabra in the Marble Hall was designed as a copy of one in Buckingham Palace, emphasising the grandeur of the cinema. Newsletter-Tracking Newton Dunbar ||The Four Aces Club (Dalston). Parc et Jardins du Chateau d'Acquigny. c) Processing Though the building is hardly one of the most attractive on Great Queen Street, its place in the cultural and fashion history of the 1980s is hugely important. At the time, it was a members-only cinema, discotheque and restaurant rolled into one. Boy George worked the cloakrooms, Spandau Ballet played their early gigs here and you simply (for better or worse) would never have heard Ultravox or Visage were it not for the Blitz Club. It attracted Andy Warhol, who abandoned Studio 54 in order to hang out there due to its unpredictable nature. This data is not passed on to third parties unless there is a statutory obligation to pass on the data, or if the transfer serves the aim of criminal prosecution. Dunbar arrived in Dalston from Jamaica in 1956 and established The Four Aces Club, named after a popular Jamaican cigarette brand, in an old Victorian theatre. Deeds Goes to Town and The Case Against Mrs. Ames. The Fab Four played there 292 times and it was where their manager Brian Epstein first spotted them. The club opened on 30 October 1959 in a basement at 39 Gerrard Street in London's Soho district. Manchesters Haienda which was founded by Tony Wilson with money made by New Orders record sales is where baggy was born. To gain entry, he said: Dress as though your life depends on it, or dont bother. Later in the decade, the rave revolutionaries would, for better or worse, dress down, partly as a reaction against the style-heavy clubs., In the basement of a building in Ham Yard, clarinettist Cy Laurie hosted all-nighters. If youve not have at least one wild night at Rock City then youve never lived. Opened in 1920 as a Gaumont cinema, The Scala hosted its first gigs in the 1970s, including performances by The Stooges and Lou Reed; photographs taken by Mick Rock at these gigs were used on the covers of The Stooges Raw Power and Lou Reeds Rock n Roll Animal albums. A new Cavern Club opened across the way at 7 Mathew Street, but in 1976 this changed to Erics, which became popular as a punk club. On an average night, you could find Andy. In the 70s, Queen, Status Quo and The Faces all performed there and Bowie shot his 1980 Floorshow TV special in the venue in 1974. From Studio 54 to Fabric, weve got together a definitive list of the worlds most iconic nightclubs. Such personal data collected in the tracking pixels contained in the newsletters are stored and analyzed by the controller in order to optimize the shipping of the newsletter, as well as to adapt the content of future newsletters even better to the interests of the data subject. Over the years, London has been the home of many great music venues and while many are still in operation today, the fate of many others was not others was not as promising. The Marquee club moved to this site, a former Burberry clothing store, in 1964. Xenon doesn't get as much attention as Studio 54, in part because it was designed to be a near-carbon-copy of the concept. The nostalgic images show the capital's landmarks in the 1970s, a decade of feminism, Arsenal's FA cup win and the launch of the concord. Such personal data transmitted on a voluntary basis by a data subject to the data controller are stored for the purpose of processing or contacting the data subject. It consists of a character string through which Internet pages and servers can be assigned to the specific Internet browser in which the cookie was stored. To February 14, 1970, to be exact. The Who, Led Zeppelin, The Rolling Stones, Jimi Hendrix and dozens more all played on the stage, draped with striped curtains like a real marquee. The website user that uses cookies, e.g. However, the venue closed in September 2014 following some essential maintenance work which was never completed. Acts to have played The Scala include Foo Fighters, The Killers and Coldplay. The personal data collected as part of a registration for the newsletter will only be used to send our newsletter. Though recent figures have suggested that almost half of the UKs nightclubs have shut their doors in the past ten years, contrary to fear-mongering belief, London nightlife still thrives. What is now one of London's most iconic LGBTQ+ clubs once started its life as a humble wine cellar. Legendary: Jimi Hendrix at The Marquee ClubMarc Sharrat/Rex, Stage door: Sting, Andy Summers and Stewart Copeland in 1979Gabor Scott/Redferns/Getty Images, Festival: The Camden Roundhouse hosts the iTunes Live event Redferns/Getty Images, Demolished: The Astoria was closed in 2009 to make way for Crossrail, Derelict: The Windsor Castle pub closed in 2009, Iconic: Oasis performed their debut London show at The Water Rats in 1994, Centre point: Fans queue outside the Electric Ballroom in Camden, You must be at least 18 years old to create an account, Must be at least 6 characters, include an upper and lower case character and a number, I would like to be emailed about offers, events and updates from Evening Standard. On an average night, you could find Andy Warhol, Liz Taylor, Mick Jagger, Debbie Harry, Grace Jones and Elton John dancing to decadent disco inside its hallowed walls. g) Controller or controller responsible for the processing Sunset Cruises. By 1869, the Roundhouse was being used as a gin warehouse, a function that continued until the 1950s. Nightclubbing: Gay Clubbing in '70s London May 7, 2013 By Luke Howard Before 1976, gay venues in London came in two categories. The Stooges were a big draw at the time, so the place was packed and Iggy Pop had grown frustrated with the tiny stage. This tiny venue opened on New Years Eve 1978 and has since played hot to everyone from The Smiths, Radiohead, Supergrass and Oasis to Bastille, Mumford And Sons and Ed Sheeran. By entering your details, you are agreeing to our terms and conditions and privacy policy. While there had been dance clubs in New York and other cities for decades, Studio 54 was the first to truly combine a theatrical sense of "anything goes" with music, substances, and an elaborately designed space. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. where possible, the envisaged period for which the personal data will be stored, or, if not possible, the criteria used to determine that period; As punk broke, The Marquee became one of the key venues to see new bands - as Paul Weller put it in The Jams single in 1978: Theres an A-Bomb In Wardour Street, The Cure played a Sunday night residency in March 1979, with Joy Division as support on one night and the New Wave Of British Heavy Metal gained a foothold at The Marquee in the early 1980s. Trade patrons included Kate Moss, Rupert Everett, Marc Almond, Alexander McQueen, and it is even visited by the Sex and the City ladies in an episode in 2002. With a capacity of barely 200, the vibe, somehow, always kept its intimate, non-exclusive air. Read our, {{#verifyErrors}} {{message}} {{/verifyErrors}} {{^verifyErrors}} {{message}} {{/verifyErrors}}. per adult. A blue plaque on the building commemorates Keith Moon the drummer from The Who who played the venue an impressive 29 times. A fictionalized version of the moment kicked off HBO's short-lived series Vinyl and implied it was the sheer rock 'n' roll power of the New York Dolls that brought the walls down, which is just silly. Alamy and its logo are trademarks of Alamy Ltd. and are registered in certain countries. Rik Gunnell ||The Flamingo Club and Bag O Naills (Soho). In 1973, Iggy Pop and the Stooges played at Max's. There is no transfer of this personal data to third parties. It was later used as a strip club before it was relaunched as a music venue in 1985. As theofficial Max's Kansas City website confirms, in Bowie's own words, the three men experienced the sort of awkward evening we've all suffered through at one time or another: "Me, Iggy and Lou Reed at one table with absolutely nothing to say to each other, just looking at each other's eye makeup.". Its hours ran from 3am to 1pm on a Sunday afternoon, handily catering to the predominantly gay crowd who wanted to carry on partying after clubs like G-A-Y and Heaven closed. By 1984, it relocated to the Town Hall Parade with a little investment from Joe Strummer (of The Clash), where it remained until 2010. Dating back from the 10th Century, Smithfields is London's only market that has continued its operations since medieval times. a) Personal data Never aligned with just one genre, it hosts rap, electro, techno and house nights, all making the most of its epic sound system. The clubs resident DJ, Larry Levan, is credited with inventing house music, thanks to his electronic take on disco. Manitoba heckled County throughout the show, and County gave as good as she got. Furthermore, in exercising his or her right to data portability pursuant to Article 20(1) of the GDPR, the data subject shall have the right to have personal data transmitted directly from one controller to another, where technically feasible and when doing so does not adversely affect the rights and freedoms of others. AsVintage News Dailyreports, Sally wasn't a figure of fun she was a beloved regular who often invited the staff back to her apartment for dinner. Add travel cost protection. We already have this email. f) Right to data portability Mancuso's parties were underground but perfectly legal and established the hunger for a nightlife marked by a casual attitude, an inclusive vibe, and plenty of great music. Photos of the event were instantly everywhere, and suddenly, it was the place to be, with crowds thronging outside. By the mid-1990s the venue was no longer used as a cinema, instead functioning as a music venue, nightclub and snooker hall. She truly loved the freedom that the 1970s club scene offered. For a year or so, this was an explosion of androgyny, increasingly bizarre and fabulous homemade fashion and lashings of clunky, proto synths. It took us a couple of years to find the site for Superstore we could tell the area was going to develop., Text by Ella Bucknall / Images courtesy ofDave Swindellsunless otherwise credited, Incubator, an ambitious new platform for emerging artists, has launched as a permanent gallery and project space at 2 Chiltern Street, London this month. In addition, subscribers to the newsletter may be informed by e-mail, as long as this is necessary for the operation of the newsletter service or a registration in question, as this could be the case in the event of modifications to the newsletter offer, or in the event of a change in technical circumstances. The controller no longer needs the personal data for the purposes of the processing, but they are required by the data subject for the establishment, exercise or defence of legal claims. The Astoria quickly became a much-loved destination for music fans and a firm fixture on tour itineraries for the next quarter of a century. Jimi Hendrix played his first UK gig here, Paul McCartney, The Who, The Kinks, Rod Stewart and various members of the Stones all partied in this subterranean spot secreted down a cobbled mews behind Fortnum and Mason. A former church in De Weteringschans in the Dutch city, this venue launched in March 1968 as the Cosmic Relaxation Center Paradiso and quickly became a key location for gigs. County and Manitoba later buried the hatchet and, according toamNewYork, have become good friends and even recorded music together. 60 Great Marlborough Street She's quoted as saying that "it required [] a lot of hard work and good make-up to be accepted as a freak.". Located at Number 100, Oxford Street, this basement club opened in 1942, but has only operated under the 100 Club name since 1964 when it was associated with the rhythm and blues boom, hosting shows by The Animals, The Kinks, The Who and the early incarnations of Fleetwood Mac. Among the notable headliners who filmed and recorded their performances at the venue were Radiohead, The Smashing Pumpkins, Metallica, Sum 41 and The Darkness. What is now one of Londons most iconic LGBTQ+ clubs once started its life as a humble wine cellar. Back in the days of Saturday Night Fever, people would turn up to arguably Basildon's most iconic party venue in their hundreds to enjoy discos, foam nights and much more.. It was one big party, and some crazy things happened before people began to realize how much money could be made. Madonna, Bjork and Kate Moss all turned up over the years and versions of Trade popped up in Ibiza, New York and LA. Though Hackney council eventually reclaimed the building in 1998 despite outrage and petitions one of the apartment blocks which was built on the site was named Dunbar Tower in homage. the categories of personal data concerned; Before long, the celebrities dancing inside probably wished they were outside, where a full-on orgy had broken out, with people disrobing in the street and dancing wildly. A small room on the first floor, the clandestine night spot gathered a reputation as a wild and eccentric bohemian arts club, a meeting place and private party for artists, poets, actors, dancers, designers and musicians, similar to the famous Kit-Cat Club or the upstairs of Les Deux Magots in Paris. Martyn Williams Photography / Alamy Stock Photo, Picture: If you want to trace the evolution of the 1970s New York club scene, you have to go back to the very beginning of the decade. Opened in December 1973, this East Village clubs name was meant to denote Country, BlueGrass and Blues, but quickly became associated with the glam metal of the New York Dolls and then the burgeoning US punk scene, playing host to the likes of Patti Smith, The Ramones, Talking Heads and Blondie. The first band to take to the stage was The Yardbirds, and over the years practically every big-name act of the period played here: Cream, David Bowie, Black Sabbath, Fleetwood Mac, The Cure, Kiss, Led Zeppelin and U2, to name just a few. But it was The 100 Clubs Punk Festival in September 1976 that changed the public perception of the venue - the Sex Pistols, The Clash, Buzzcocks, The Jam, The Stranglers and The Damned all performed, with Siouxsie And The Banshees making their live debut at the event, with Sid Vicious on drums. Where the controller has made personal data public and is obliged pursuant to Article 17(1) to erase the personal data, the controller, taking account of available technology and the cost of implementation, shall take reasonable steps, including technical measures, to inform other controllers processing the personal data that the data subject has requested erasure by such controllers of any links to, or copy or replication of, those personal data, as far as processing is not required. Trade DJs like Tony De Vit became famous for pushing the breakneck hard house sound. The pub played a crucial role in the early 1970s rock scene and became the place for up and coming bands to perform until the end of the 70s. Processor is a natural or legal person, public authority, agency or other body which processes personal data on behalf of the controller. the existence of the right to request from the controller rectification or erasure of personal data, or restriction of processing of personal data concerning the data subject, or to object to such processing; k) Consent volcanic iceland epic trip Meet our Local Insider Hanna This allows visited Internet sites and servers to differentiate the individual browser of the dats subject from other Internet browsers that contain other cookies. Recent acts to play the venue include The Amazons, Yonaka, The Big Moon and We Are Scientists and Moles club nights are legendary. The website of the Something Curated collects a series of general data and information when a data subject or automated system calls up the website. Learn more about how you can collaborate with us. If one of the aforementioned reasons applies, and a data subject wishes to request the erasure of personal data stored by the Something Curated, he or she may, at any time, contact any employee of the controller. Raquels was hugely popular in Basildon (Image: Keith Bonsor). The Roundhouse played a crucial role in the punk and post-punk movement in London during the 1970s, with The Clash, The Ramones, The Stranglers, Blondie and Adam and the Ants all performing on. This cavernous 1,300-capacity club, located beneath the railway arches of London Bridge station, was as renowned among clubbers for its airport-style security as for its bass-heavy parties and. from . Celebrities mingled with the non-famous, and people of all genders, persuasions, and ethnicities danced the night away, usually under the influence of a lot of legal and illegal substances. The club also played host to local acts Gerry And The Pacemakers, Billy J Kramer and Cilla Black, plus bands from other parts of the UK including The Kinks, The Rolling Stones, The Who and The Yardbirds. We clarify that the provision of personal data is partly required by law (e.g. The Four Aces in Hackney opened in 1966 on the site of an old Victorian theatre built to house Robert Fossett's Circus in 1886 on Dalston Lane. Rampling set up the club Shoom, which launched acid house culture and contributed to worldwide dance culture. The club has historically provided safe, inclusive spaces for otherwise ostracised groups and subcultures in British society. A fire in 2014 almost caused the closure of this iconic venue, but it was back in business by the end of the following year. 55. Though the group was small, their cultural impact was huge, and it is where New Romantics like Spandau Ballet first made their mark. Originally opening to host ballroom dancing in 1919, the Hammersmith Palais de Danse as it was first known, played host to a variety of different music styles until its closure in 2007. Legal basis for the processing Art. Each data subject shall have the right granted by the European legislator to obtain from the controller the erasure of personal data concerning him or her without undue delay, and the controller shall have the obligation to erase personal data without undue delay where one of the following grounds applies, as long as the processing is not necessary: Its one of the few music venues left in the West End of London and has changed little since its 1960s heyday. In the early 90s, the Whisky went grunge with Soundgarden, Mudhoney and The Melvins all appearing. The data subject withdraws consent to which the processing is based according to point (a) of Article 6(1) of the GDPR, or point (a) of Article 9(2) of the GDPR, and where there is no other legal ground for the processing. The input mask used for this purpose determines what personal data are transmitted, as well as when the newsletter is ordered from the controller. When (a decidedly not sober) Handsome Dick climbed onstage, County clobbered him with her mic stand breaking his collarbone and nearly killing him. b) Right of access The club opened in 1959 and is located on Frith Street in Soho, where it has hosted an impressive spectrum of musicians, including Chet Baker, Ella Fitzgerald, Curtis Mayfield, Nina Simone, Zoot Sims, George Melly, Wynton Marsalis, and Prince. The Shim Sham Club, which opened on Wardour Street in the mid-1930s, was described as 'London's miniature Harlem'. Pulp played there as far back as 1980 and the venue played host to a lot of goth acts in the first half of the decade, but since then the Leadmill has entertained Suede, Manic Street Preachers, Primal Scream, Manic Street Preachers, Coldplay, Muse, Oasis, Stereophonics, Kasabian, The Killers and Royal Blood. Consent of the data subject is any freely given, specific, informed and unambiguous indication of the data subject's wishes by which he or she, by a statement or by a clear affirmative action, signifies agreement to the processing of personal data relating to him or her. A number of unsigned regional bands also performed here, hoping to attract the interest of record companies; The Smiths played their first London gig here in March 1983. Jones and Divine both fed each other a piece, and the most remarkable thing about the whole moment is that it was captured on film. In 1979, amid rising unemployment and Thatcherism, the Blitz Kids scene began. Originally opened as a jazz club in 1958, the Marquee 's first location was at 165 Oxford Street. Now a designated heritage asset, the former Windsor Castle pub in Harrow Road was once renowned for early concerts from the Rolling Stones and the Who. i) Right to withdraw data protection consent Most of their songs were less than two minutes long. Your account will be closed and all data will be permanently deleted and cannot be recovered. The band features Bobby Keys on saxophone, left, and Mick Taylor on guitar, centre, The Roundhouse in Camden pictured in 1968, The former pub in Harrow Road, W9, remains derelict, The Hammersmith Palais venue, pictured in 2007, occupied a site in Shepherds Bush Road, Sting, Andy Summers and Stewart Copeland posed outside the stage door on night when they played both Hammersmith Odeon and Hammersmith Palais in 1979, The exterior of Hammersmith Palais nightclub in 1968 when it was still known as Hammersmith Palais de Danse, The iconic venue, which hosted the G-A-Y club night until 2008, was closed in 2009 to make way for Crossrail, Pictures in 1987, The Astoria in Charing Cross Road was a huge hit with music lovers, The iconic club in Charing Cross Road, circa 1990, Jimi Hendrix performing at London's Marquee Club in 1967, The Marquee Club was a defining venue for jazz and rhythm and blues, Muse fans queue outside the Camden music venue ahead of a concert in 2015, Bono pictured in the early days of U2 in 1979 as the band performed at the Electric Ballroom, The King's Cross venue, pictured in 2009, hosted many top international acts before they had their big breaks.

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